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No, not Martin Campbell on Casino Royale, but Peter Hunt discussing his vibrant, soaring, grotesquely undervalued On Her Majestys Secret Service, shortly after its 1. In many ways, Hunts film was the Casino Royale of its day the series had drifted into daft pastiche, and despite spiralling box office returns, Eon Productions decided to take the franchise back to basics, starting with its frontman. Like Sean Connery before him, George Lazenby had potency and dash, but his vulnerability was all new, and his scenes with Diana Rigg were Bonds most richly textured romantic entanglements until the arrival of Vesper Lynd some 3. Still, the film has a voluptuous sense of fun, not least when it reaches Blofelds deliriously kinky mountaintop lair, presided over by the dykey Irma Bunt and peopled by a multiracial harem. Hunt, who served as editor on the first three Connery films, gives Lazenbys fist fights a whipcrack intensity and the ski jumping, stock car racing, bobsled sliding finale is one of the series best. Like Casino Royale, On Her Majestys Secret Service came to define how the Bond franchise would progress. Sadly, it was to be in the other direction, at top speed. Robbie Collin, Telegraph Chief Film Critic George Lazenby and Diana Rigg in On Her Majestys Secret Service The Living Daylights Is it the best Perhaps not, though Id certainly say top five. Still, the ongoing neglect of Timothy Daltons Bond debut has long installed it as my personal favourite, like the unpopular but secretly brilliant student at the back of the class. Its the most Le Carr ish outing in the series, using the old Stalinist directive of Smiert Spionam Death to Spies to power up a far more intricate espionage plot arms war, KGB defection, very New World Order than most. After the later Moore outings, credible excitement urgently needed finding, and this film prefigures the Bourne era and the ensuing Craig ones by 1. Bonds friendship with the British diplomat Saunders Thomas Wheatley is given touching weight, and makes you realise weve barely seen him making, or losing, a male friend since. Maryam dAbos cellist assassin has a sad beauty thats more Third Man than The Man With the Golden Gun. And John Glen outdoes all his Moore set pieces with the scrabbling mano a mano when Bond and his Aha fond henchman nemesis, Necros, tumble out the back of a cargo plane. Daltons often accused of humourlessness, but his gritty, gentlemanly Bond has far more refined charm here than Craig will ever have. Its only in Licence to Kill 1. Here the romance of Bond the fantasy ingredients and his more adult side found an equilibrium unmatched since early Connery. Tim Robey, Telegraph Film Critic Timothy Dalton and Maryam Dabo in The Living Daylights Goldfinger Taste in Bond movies is a largely generational thing. Children of the Nineties would often, tragically, take one of Pierce Brosnans outings to their desert island, whereas, like many brought up in the 1. Id be ecstatic with any of Live and Let Die, The Spy Who Loved Me or Moonraker all starring the mighty Moore. In the cold light of day, however, its hard to deny that the 1. Connery films were the most Bondish of all, and that among them the most potent cocktail has always been Goldfinger. It fell to Briton Guy Hamilton formerly assistant director on The Fallen Idol, The Third Man and The African Queen to make the third Bond adaptation. Armed with his considerable experience, a then monstrous 3. Edinburghs most famous ex milkman in his panther like prime, he delivered the film that saw the true birth of the screen 0. It still has the best or near best of everything villain Auric Goldfinger, fleshed out by German Gert Frbe but dubbed throughout by actor Michael Collins, henchman the Korean Oddjob, played by 2. Hawaiian born weight lifter Harold Sakata, name Pussy Galore, aka the splendid Honor Blackman, set Ken Adamss Fort Knox, in producer Cubby Broccolis words a cathedral of gold, gadget Bonds DB5 and plot. Goldfinger also set the standard for the pre credits teaser, reinventing it as a mini movie. All life is here a small plastic duck, a big plastic explosion, Bonds wetsuitwhite tie combo, and a blistering fight that concludes with the quintessential throwaway line Shocking positively shocking. Bond develops a taste for electrocution its also his means of dispatching Oddjob, in the even tenser encounter towards the end. Indeed, watch the film now and its these smaller set pieces the fights, the golf, the gilded Shirley Eaton that stand out and make Goldfinger the most enduring of guilty pleasures. Mark Monahan, Telegraph Critic Goldfinger Casino Royale Everyone under the age of 3. Bond film The Craig Ones, The Bad Brosnan Ones, The Good Brosnan One, and The Old Ones. Instinctively my favourite Bond film is The Good Brosnan One Golden. Eye. But in my heart I know that this is mostly because of the N6. I did with my life, 1. Stack, Pistols, Licence to Kill, Valentin, thanks for asking. I am incapable of separating the Old Ones in my mind, despite having seen them all at least twice. So almost by default the best Bond film must be Casino Royale Quantam of Solace was a fragrance advert scripted by hyperactive children. This was the first in the series which I saw in the context of other action films particularly Bourne, rather than as a Bond Film. It bears scrutiny. Craig is convincingly muscular and obnoxious, the fights look genuinely painful, and in Eva Green it has a woman on whom everyone can agree. What it does best, however, is give a veneer of plausibility to scenes which are in fact among the most preposterous in the whole canon. For example, when Bond has a heart attack, runs back to the Aston and defibrilates himself in time to stand up and return to his card game. Just pause for a moment to consider that process in medical terms. But in the film it looks like gritty realism. Better still is the poker game. The final round includes a flush, two full houses and the straight flush with which Bond wins. The odds of this happening in one hand are exactly 1. At stake is 1. 0m of the taxpayers money and some American taxpayers money, which were less worried about. MI6s policy would make more mathematical sense if they waited for Le Chiffre to be eaten by a shark, hit by an asteroid or fall victim to a random bank error. In short, Casino Royale makes grossly irresponsible management and grave fiscal risk taking look like suave heroism. A moral for modern Britain, if ever there was one Ed Cumming, Telegraph writer Daniel Craig in Casino Royale Thunderball In Austin Powers International Man of Mystery, Mike Myerss groovy spoof of Sixties spy movies, the villainous and stupid Dr Evil plans to hold the world to ransom for the laughably paltry sum of 1 million. Its a direct dig at Thunderball, even though, in 0. Spectre, which has just hijacked a couple of nuclear bombs, is 1. Adjusted for inflation, thats a not so embarrassing three quarters of a billion dollars.